The purpose of this article is to elaborate the many literary allusions that Simone Weil used in her ultimate work: L' Enracinement, translated as The Need for Roots, to achieve her goal of encouraging her fellow countrymen to create a new postwar society. Understanding how she used the riches of the French and Western Literary Cannon, less easily grasped by those not educated in the French Education system, enriches the understanding of Weil's purpose and skill in writing on many levels, (...) simultaneously for different target audiences. Underlying her stress on the need for truth and honesty about a county's past and present, with discernable respect for every person, is her foundational belief in the spiritual destiny of every human being. Examining her literary allusions in detail to show her clever subversion of traditionally accepted interpretations brings a new dimension to Simone Weil studies, while underlining the relevance of this essay to contemporary dilemmas. (shrink)

"Anyone interested in Simone Weil will want, and need, to read this superb collection." —Diogenes Allen, Princeton Theological Seminary “These essays—some written by leading specialists in Simone Weil's thought, others by prominent theologians and philosophers of religion—are especially valuable not only for elucidating Weil's reading of Plato but also for showing what one or another form of Christian Platonism can mean for us today.” —James A. Wiseman, O.S.B., Catholic University of America "This remarkable and penetrating collection of essays on Simone (...) Weil's religious philosophy illumines the living intersection between serious metaphysics and ethics. The authors carefully examine this relation that much post-modern reflection has until now only skimmed, but that Weil herself managed to embrace with breathtaking intellectual discipline and self-giving. The book is a bracing testimony to the deep moral consequences of classical ontology and its challenging Christian reorientation." —The Rev. Dr. Ephraim Radner, Ascension Episcopal Church, Pueblo, Colorado In this book a group of renowned international scholars seek to discern the ways in which Simone Weil was indebted to Plato, and how her provocative readings of his work offer challenges to contemporary philosophy, theology, and spirituality. This is the first book in twenty years to systematically investigate Weil’s Christian Platonism. (shrink)

This study juxtaposes Simone Weil's exposition of God's invitation to know and love the good through the divine signature of beauty stamped on the order of the world and Flannery O'Connor's depiction of a society whose oppressive order allows some characters to oppose outright a divine order or to live under the illusion that the divine invitation is irrelevant because they, in their egoism and materialist values, are the centre of the universe. An examination of O'Connor's and Weil's ideas on (...) order and beauty, grace and decreation, within the disorders of their contexts, reveals both writers' skills in pointing prophetically through disorder to divine order, thus, disclosing bridges of revelation. (shrink)

Simone Weil's rejection of pacifism -- The empire of force -- Love of neighbor versus totalitarianism -- Values for reading the universe -- Reading and justice -- Simone Weil and the Bhagavad-Gita -- Justice and the supernatural -- Neither victim nor executioner -- Appendix : English translations of Simone Weil's essays.

Explores the intersection between the philosophy of Simone Weil from Paris, France, and the fiction of Flannery O'Connor from the Southern state of Georgia, USA.